Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Karl Blechen
Gorge at Amalfi

ID: 44223

Karl Blechen Gorge at Amalfi
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Karl Blechen Gorge at Amalfi


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Karl Blechen

German Romantic, 1798-1840 sometimes given as Karl Blechen, was a German painter, specializing in fantastic landscapes, sometimes with demons and grotesque figures. Born in Cottbus, he drew the attention of prominent architect Karl Friedrich Schinkel, who cast him as a decorative painter. Blechen however aimed for higher work and began producing landscape paintings. In 1827 he went to Italy  Related Paintings of Karl Blechen :. | Building the Devil-s Bridge | In the Palm House in Potsdam | The Woods near Spandau | Monks at the Gulf of Naples | Building the Devil's Bridge |
Related Artists:
Sebastiaen Vrancx
(22 January 1573 - 19 May 1647) was a Flemish Baroque painter and etcher of the Antwerp school. He was an apprentice in the workshop of Adam van Noort, who also trained many illustrious painters such as Peter Paul Rubens, Jacob Jordaens and Hendrik van Balen. He also visited the workshop of the Antwerp painter Paul Bril in Rome around 1600. He was esteemed as one of the main painters of battle scenes, and works by Vranckx were in the collection of Peter Paul Rubens. As a collaborator he worked at times with Jan Brueghel the Elder. and together with Rubens, Frans Francken the Younger, van Balen, Frans Snyders and Joos de Momper the Younger on the Allegory of the Senses, two works commissioned on the occasion of the archduke Albert of Austria's visit to Antwerp. His best-known student is Pieter Snayers. Most of his pictures represent biblical scenes or scenes of war, such as the sack of towns, cavalry combats, genre paintings and allegorical subjects. Though occasionally vigorous in drawing, his paintings are dull and heavy in tone. He was at the same time a writer of poetry, comedies and tragicomedies for the chamber of rhetoric De Violieren. He was served as dean of the Antwerp painters' Guild of St. Luke, and was a district head and captain of the militia. His works can be found in the Royal Museum of Fine Arts in Antwerp, Groeninge Museum in Bruges (both in Belgium) and the Noordbrabants museum in 's-Hertogenbosch and the Rijksmuseum in Amsterdam (the Netherlands). He is also represented with several drawings or paintings at the Hermitage in Saint Petersburg, the Harvard University Art Museums, the Louvre, Paris and several other museums.
Anne-Louis Girodet-Trioson
1767-1824 French Anne Louis Girodet Trioson Galleries Girodet was born at Montargis. He lost his parents in early youth and the care of his inheritance and education fell to his guardian, M. Trioson, "medecin-de-mesdames," by whom he was in later life adopted and whose surname he took in 1812. He started in school by studying architecture and pursuing a military career. He later changed to the study of painting under a painter named Luquin, before entering the school of David. From 1789 to 1793 he lived in Italy where, at the age of twenty-two, he successfully competed for the Prix de Rome thus making a name for himself for his painting of the Story of Joseph and his Brethren. At Rome he painted his Hippocrate refusant les presents d'Artaxerxes and Endymion-dormant (presently held in the Louvre), work which was praised at the Salon of 1793.
Master of ST Ildefonso
Castile,end of the fifteenth century Spanish painter. He is named from St Ildefonso's Reception of a Chasuble from the Virgin Mary (Paris, Louvre), which is traditionally held to come from Valladolid; it may even have come from the chapel of S Ildefonso in the Colegiata there. The style, characterized by harmony of colour and intense expressions, resembles that of four panels of St Athanasius, St Louis of Toulouse, both enthroned, SS Peter and Paul and SS Andrew and James the Great, which probably came from the convent of La Merced, Valladolid. They have been attributed to the Master of vila, but Post considered them to be the work of the Master of St Ildefonso, a more sophisticated painter, although both artists modified the harshness of their Netherlandish models. There are also similarities with Jacomart's triptych of St Anne in the Colegiata, Jetiva, but these may be coincidental. Other works attributed to the Master include St Anne and St Anthony of Padua,






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